I made this bracelet for my amazing wife Crissy. She never fails to inspire me. Crissy is my muse. This bracelet celebrates our marriage by combining our individual passions into a wearable story. I am fascinated with animation and various textures of precious metals. I love to build complicated jewelry and I love the balance between art aesthetics and engineering for endurance in such a piece of wearable sculpture. Crissy loves to run and she is quite beautiful while doing so. She often runs marathons and half marathons. We both love Lake Tahoe and love to get up there whenever we can. Crissy also likes to wear jewelry which works out pretty well because I sure do love to make it.
To design this piece, I biked alongside Crissy to capture video of her running. I then broke that video down into ten frames that made up a perfect two step loop and animated that loop. I then composed the images into a wearable landscape with the mountains of Tahoe and their reflection in the lake for a background. This is the animation of the ten frames used to make this bracelet:
To build the bracelet, I began by hammer texturing a sheet of polished sterling silver and then cut out ten Crissy silhouettes from it. I then "painted" a mountainous background out of silver i had previously reticulated.
Reticulation is a process of depletion gilding. It involves removing the copper alloy near the surface of a sheet of silver by repeatedly heating, quenching, and scrubbing the sheet until most of the copper has been oxidized to the surface and removed leaving the surface nearly pure silver. Then the sheet is carefully heated with a torch to the point that the interior melts while the exterior does not and therefore wrinkles up like a skin around the molten center. The wrinkles can be "painted" to some degree. The wrinkles tend to follow the torch flame but the control is very limited and dangerous as the metal is on the verge of melting entirely. If the metal survives this - the results can be a wrinkled fine silver finish that has been likened to a topographical map of the Sierra Nevada Mountains by Ganoksin:
After I soldered these reticulated silver mountains down onto flat sterling square sheets, soldered the hinge parts to each piece of landscape, and assembled the hinges to form the bracelet
The bracelet really comes together when I carefully soldered the Crissy silhouettes down directly onto the hinges. This adds strength to the hinge joints but is very tricky to NOT flow the delicate original solder seams of the hinges themselves. The finish is done with a graver to the water and sky backgrounds and a high polish for the whole bracelet. The silver will most likely oxidize over time, I can't wait to see how it "antiques" naturally. Hopefully Crissy and I will antique together just as well.